This year I learned to design and weave turned taqueté, a warp-faced or warp-emphasis weave – I love it! In the past I wove weft-faced taqueté rugs and now, what inspired me to explore turned taqueté is Bonnie Inouye’s article, “Turned Taqueté: an Introduction,” published by Complex Weavers in the June 2014 issue of the Complex Weavers Journal. Bonnie’s article has everything you need to know about this versatile weave to get you started. You can view images from her article including downloadable WIF files of the drafts (but not the text) on the June 2014 Gallery page of the Complex Weavers website. Bonnie also contributed two 4-shaft turned taqueté drafts to handweaving.net that can also be viewed online, one is a checkerboard pattern with two clean threading blocks and the other one is a flame pattern with four overlapping threading blocks.
Keeping in mind Bonnie’s suggestions that for scarves the sett should be between twill and double weave and the weft should be much finer than the warp, I began my quest. I wove a few samples trying out the clean checkerboard pattern first but decided to continue exploring with overlapping threading blocks that I liked better. I ended up designing and weaving a few 8 and 12-shaft patterns this way. In this post I’m happy to share photos, drafts and notes of an 8-shaft scarf, a photo of a placemat woven on the same threading, and photos of another scarf woven on 12 shafts.
Here are photos of the 8-shaft Turned Taqueté Scarf:
I started by designing this Profile Draft:
The thread-by-thread draft is derived from the Profile Draft, easily generated by weaving software in several steps. Bonnie gives clear directions about how to do this in her article. This is how it looks using Fiberworks:
Here’s a close-up of the upper right hand section of the above draft:
This next draft shows the structure of turned taqueté, recognizable by the letters “T” turned on their side:
My thread-by-thread draft is not easily readable as shown so I made separate threading and treadling drafts that are even larger and clearer to read when you click on them. I can also email the WIF file to anyone who requests it. Note that the threading draft may be threaded as is for this scarf, but each block in the treadling draft should be repeated more than one time (I did it 3 times for this scarf) to achieve a more elongated pattern. For example, reading the treadling draft from the bottom to the top and starting with the column on the far right, repeat three times: 1,4,2,4; then repeat three times: 1,5,2,5 and so on. Repeat the entire treadling draft as many times as you wish depending on how long you want the scarf to be. Here are the threading and treadling drafts including the tie-up:
Notes on weaving the scarf: I wove this scarf by using a warp of 8/2 Tencel, alternating light and dark colors (purple and off-white) with a sett of 40 ends per inch and an off-white 20/2 rayon weft at about 30 picks per inch. The result is a warp-emphasis weave, the weft shows a little but the warp is what shows the most, and the scarf drapes nicely. It was very easy to weave with a light/medium beat, nice selvedges with no special threading or floating selvedges needed. I twisted the fringes and washed the scarf by hand, let it hang to dry, and steam ironed it. Shrinkage was about 10%. The finished scarf is about 9-1/2 inches wide and 48 inches long plus the fringe.
Placemats woven on the same threading: Keeping the same threading after cutting the scarf off the loom, I resleyed the warp to 30 ends per inch and tied on a new warp with a thicker, 8/4 cotton carpet warp and wove a couple of placemats using a 20/2 cotton weft at about 16 picks per inch. I kept the treadling at only 1 repeat of each block in order to achieve a more squared pattern rather than an elongated one, repeating the first block several times for the borders. These placemats turned out to be closer to being warp-faced than warp-emphasis – you can hardly see the weft, rather nice and sturdy, each one about 13 inches wide and 16 inches long plus an inch or so of fringe. I like experimenting with setts, and turned taqueté is very satisfying in this regard. Here’s a close-up and full view of one of these placemats:
Lastly, as a member of the Fine Threads Study Group at Complex Weavers, I challenged myself to design and weave something interesting for this year’s study and sample exchange – turned taqueté on 12 shafts:
The longest float in turned taqueté is three so it’s great for weaving soft and supple scarves as well as thicker and sturdier placemats. Bonnie mentions in her article that even chenille works well as warp with this weave. I may try some more color experiments next time, maybe dyeing or painting a warp or trying a variation of this weave.
Hope you enjoyed looking at my work and are inspired to try turned taqueté too. See you next time!Profile Drafts, Taquete and Turned Taquete