Posted tagged ‘placemats’

Turned Taqueté!

April 6, 2015

This year I learned to design and weave turned taqueté, a warp-faced or warp-emphasis weave also called “warp-faced compound tabby” and other names as well.  I love it!  In the past I wove weft-faced taqueté rugs and now, what inspired me to explore turned taqueté is Bonnie Inouye’s article, “Turned Taqueté: an Introduction,” published by Complex Weavers in the June 2014 issue of the Complex Weavers Journal.  Bonnie’s article has everything you need to know about this versatile weave to get you started.  You can view images from her article including downloadable WIF files of the drafts (but not the text) on the June 2014 Gallery page of the Complex Weavers website.  Bonnie also contributed two 4-shaft turned taqueté drafts to handweaving.net that can also be viewed online, one is a checkerboard pattern with two clean threading blocks and the other one is a flame pattern with four overlapping threading blocks.

Keeping in mind Bonnie’s suggestions that for scarves the sett should be between twill and double weave and the weft should be much finer than the warp, I began my quest.  I wove a few samples trying out the clean checkerboard pattern first but decided to continue exploring with overlapping threading blocks that I liked better.  I ended up designing and weaving a few 8 and 12-shaft patterns this way.  In this post I’m happy to share photos, drafts and notes of an 8-shaft scarf, a photo of a placemat woven on the same threading, and photos of another scarf woven on 12 shafts.

Here are photos of the 8-shaft Turned Taqueté Scarf:

Turned Taquete Scarf woven on 8 shafts, Tencel & rayon, 2015

Turned Taquete Scarf woven on 8 shafts, Tencel & rayon, 2015

Turned Taquete Scarf woven on 8 shafts, Tencel & rayon, 2015 (detail)

Turned Taquete Scarf woven on 8 shafts, Tencel & rayon, 2015 (detail)

I started by designing this Profile Draft:

PROFILE DRAFT for 8-shaft Turned Taquete Scarf

PROFILE DRAFT for 8-shaft Turned Taquete Scarf

The thread-by-thread draft is derived from the Profile Draft, easily generated by weaving software in several steps.  Bonnie gives clear directions about how to do this in her article.  This is how it looks using Fiberworks:

Thread-by-thread draft for 8-shaft Turned Taquete Scarf

Thread-by-thread draft for 8-shaft Turned Taquete Scarf

Here’s a close-up of the upper right hand section of the above draft:

Partial thread-by-thread draft for 8-shaft Turned Taquete Scarf (interlacement view)

Partial thread-by-thread draft for 8-shaft Turned Taquete Scarf (interlacement view)

This next draft shows the structure of turned taqueté, recognizable by the letters “T” turned on their side:

Partial thread-by-thread draft for Turned Taquete Scarf (structure view showing sideways T's)

Partial thread-by-thread draft for Turned Taquete Scarf (structure view showing sideways T’s)

My thread-by-thread draft is not easily readable as shown so I made separate threading and treadling drafts that are even larger and clearer to read when you click on them.  I can also email the WIF file to anyone who requests it.  Note that the threading draft may be threaded as is for this scarf, but each block in the treadling draft should be repeated more than one time (I did it 3 times for this scarf) to achieve a more elongated pattern.  For example, reading the treadling draft from the bottom to the top and starting with the column on the far right, repeat three times:  1,4,2,4; then repeat three times:  1,5,2,5 and so on.  Repeat the entire treadling draft as many times as you wish depending on how long you want the scarf to be.  Here are the threading and treadling drafts including the tie-up:

Threading Draft for 8-shaft Turned Taquete Scarf

Threading Draft for 8-shaft Turned Taquete Scarf

Treadling Draft for 8-Shaft Turned Taquete Scarf (repeat each block of 4 picks three times to elongate the pattern for this scarf)

Treadling Draft for 8-Shaft Turned Taquete Scarf (repeat each block of 4 picks three times to elongate the pattern for this scarf)

Notes on weaving the scarf:  I wove this scarf by using a warp of 8/2 Tencel, alternating light and dark colors (purple and off-white) with a sett of 40 ends per inch and an off-white 20/2 rayon weft at about 30 picks per inch.  The result is a warp-emphasis weave, the weft shows a little but the warp is what shows the most, and the scarf drapes nicely.  It was very easy to weave with  a light/medium beat, nice selvedges with no special threading or floating selvedges needed.  I twisted the fringes and washed the scarf by hand, let it hang to dry, and steam ironed it.  Shrinkage was about 10%.  The finished scarf is about 9-1/2 inches wide and 48 inches long plus the fringe.

Placemats woven on the same threading:  Keeping the same threading after cutting the scarf off the loom, I resleyed the warp to 30 ends per inch and tied on a new warp with a thicker, 8/4 cotton carpet warp and wove a couple of placemats using a 20/2 cotton weft at about 16 picks per inch.  I kept the treadling at only 1 repeat of each block in order to achieve a more squared pattern rather than an elongated one, repeating the first block several times for the borders.  These placemats turned out to be closer to being warp-faced than warp-emphasis – you can hardly see the weft, rather nice and sturdy, each one about 13 inches wide and 16 inches long plus an inch or so of fringe.  I like experimenting with setts, and turned taqueté is very satisfying in this regard.  Here’s a close-up and full view of one of these placemats:

Turned Taquete Placemat woven on 8 shafts, cotton, 2015

Turned Taquete Placemat woven on 8 shafts, cotton, 2015

Lastly, as a member of the Fine Threads Study Group at Complex Weavers, I challenged myself to design and weave something interesting for this year’s study and sample exchange – turned taqueté on 12 shafts:

Turned Taquete Scarf woven on 12 shafts, Tencel & cotton, 2015

Turned Taquete Scarf woven on 12 shafts, Tencel & cotton, 2015

Turned Taquete Scarf woven on 12 shafts, Tencel & cotton, 2015 (detail)

Turned Taquete Scarf woven on 12 shafts, Tencel & cotton, 2015 (detail)

The longest float in turned taqueté is three so it’s great for weaving soft and supple scarves as well as thicker and sturdier placemats.  Bonnie mentions in her article that even chenille works well as warp with this weave.  I may try some more color experiments next time, maybe dyeing or painting a warp or trying a variation of this weave.

Hope you enjoyed looking at my work and are inspired to try turned taqueté too.  See you next time!

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Double Weave Revisited

January 29, 2014

Of the many ways of designing and weaving double weave, my favorite is loom-controlled, patterned double weave.  On my 16-shaft treadle loom I can weave up to 4 blocks of plain weave as well as network drafted double weave designs.  I have written several posts on this topic and thought it was time for another visit because it really is so much fun!

In this post I share photos, drafts and notes about my recent projects that include a 16-shaft, 4-block double weave table runner and a couple of 8-shaft, 2-block placemats.  I also share a photo of a double weave Tencel shawl that I plan on submitting to my guild’s annual exhibit in April.

Double Weave Table Runner – 16 shafts

The first project is a table runner I wove using 5/2 pearl cotton with a sett of 28 e.p.i. that turned out to have a fairly good but not perfectly balanced weave.  I happen to like it this way, but a wider sett of 24-26 e.p.i. would have helped make the rectangular areas be more square.  After twisting the fringes, I washed it by hand, spin dried in the washer but I could have rolled it in a towel too, laid flat to dry and steam ironed while it was still a bit damp.  Here it is:

Double Weave Table Runner, Pearl Cotton, 2014

Double Weave Table Runner, Pearl Cotton, 2014

As part of the preparation for this project I wove a small plain weave sample to see how the colors mix with each other:

Prep for Double Weave Table Runner - yarns, warp, and sample

Prep for Double Weave Table Runner – yarns, warp, and sample

The design started out with a profile draft that is a variation of the same profile draft I designed for the Turned Twill Table Runner that I wrote about in my previous post.  It’s a 4-block profile draft to be woven on 16 shafts:

PROFILE DRAFT for Double Weave Table Runner (4 blocks to be woven on 16 shafts)

PROFILE DRAFT for Double Weave Table Runner (4 blocks to be woven on 16 shafts)

With the magic of block substitution, my weaving software (Fiberworks PCW) generated the complete drawdown.  You can do this manually as well (it’s still magical!) by looking at the profile draft and substituting the following for each block:  first block is threaded and treadled 1, 2, 3, 4; second block 5, 6, 7, 8; third block 9, 10 ,11, 12; and fourth block 13, 14, 15, 16.  I then experimented with different colors and came up with a color scheme I liked, choosing colors that I had in 5/2 pearl cotton in my stash.  Below are different views of the thread-by thread draft.  The double weave view shows how each side actually appears, one side appears different than the other side.  The close-up interlacement view shows how the warp and weft interlace or cross each other and gives you a hint that there are 2 layers with areas in one layer exchanging places with areas in the other layer:

Draft for double weave table runner (double weave view, side 1)

Draft for double weave table runner (double weave view, side 1)

Draft for double weave table runner (double weave view, side 2)

Draft for double weave table runner (double weave view, side 2)

Draft for double weave table runner (close-up of one section, interlacement view, side 1)

Draft for double weave table runner (close-up of one section, interlacement view, side 1)

UPDATE 2017:  Bianca Geiselhart used my draft to weave two lovely placemats.  She sent me this beautiful photo and gave me pemission to post it here:

Bianca Geiselhart’s Double Weave Placemats, 2017

Double Weave Placemats – 8 shafts

The second project is a couple of placemats I wove using 20/2 unmercerized cotton, 2 strands used together as one, with a sett of 40 e.p.i.  I wove a few inches of basket/plain weave with the 20/2 cotton used singly in between mats to be turned and hand sewn as hems for a neat finish after the wet finishing process which was the same as that for the table runner.  Here’s how the placemats turned out:

Double Weave Placemats, Cotton, 2014

Double Weave Placemats, Cotton, 2014

The design for the placemats also started out with a profile draft, but this time with only 2 blocks to be woven on 8 shafts:

PROFILE DRAFT for Double Weave Placemats (2 blocks to be woven on 8 shafts)

PROFILE DRAFT for Double Weave Placemats (2 blocks to be woven on 8 shafts)

As before, block substitution generated the complete drawdown, the first block is threaded and treadled 1, 2, 3, 4 and the second block 5, 6, 7, 8.  Since this pattern looks so busy I decided to use only 2 colors to make it appear simpler and to highlight the balance between the dark and light areas.  Below is the thread-by-thread draft in double weave view of one side.  I didn’t show the other side because it looks the same except that the dark and light areas are interchanged.  The close-up of one section of the draft in interlacement view also shows the basket/plain weave I mentioned earlier that I used to weave for the hems on the placemats.  As you can see in the tie-up you need two extra treadles to do this.

Draft for Double Weave Placemats (double weave view)

Draft for Double Weave Placemats (double weave view)

Draft for Double Weave Placemats (close-up of one section, interlacement view with basket weave for the hem)

Draft for Double Weave Placemats (close-up of one section, interlacement view with basket weave for the hem)

A Challenge

OK, I asked myself, what now?  How about challenging myself to weave something interesting in double weave to enter in my guild’s show in March?  After experimenting with many drafts, I came up with a 16-shaft networked draft for double weave that looks like mosaic when viewed from a distance and also looks interesting when viewed close-up.  I liked the design and wove this Tencel shawl:

Double Weave Mosaic Shawl, Tencel, 2014

Double Weave Mosaic Shawl, Tencel, 2014

UPDATE March 31, 2014:  This shawl received “The Kathryn Wellman Memorial Award” for imaginative weaving incorporating design, color and texture at the 2014 Philadelphia Guild of Handweavers “Celebration of Fibers” exhibit.

Now it’s time to start thinking about the next challenge…see you next time!

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Rep Weave: Placemats (4 shafts) & Table Runner (16 shafts)

July 14, 2011

Warp-faced rep weave, sometimes referred to as warp rep, mattor, or ripsmatta, is a relative of shadow weave.  They are alike in that the structure of both these weaves is mostly plain weave and light and dark ends alternate in the warp and are threaded on pairs of shafts.  They differ in that the warp in warp rep is sett much closer and thick and thin wefts alternate to create horizontal ridges with an interesting, ribbed texture.

Having woven rep weave before, I wanted to give it another try and learn more about it.  Following are images, drafts, and notes describing my recent rep weave projects that were great fun to weave.

Rep Weave (Warp Rep) Placemats (4 shafts)

While researching this topic, I came across a unique article I found online at handweaving.net, “Mattor,” by Robert Frederic Heartz, published in 1936.  I was inspired by the informative, hand-drawn illustrations, drafts, and meticulous notes.  I picked Draft No. 7 accompanying Illustration No.7, entered the info into my weaving program and wove a set of four placemats:

Warp Rep Placemats, 14″x 18″, cotton, 2011

Warp Rep Placemats, 14″ x 18″, cotton, 2011 (detail)

If you look at the article, each threading block consists of 8 warp ends, but you can vary this number as long as it’s in multiples of pairs.  I translated the handwritten notes into this computer generated profile draft and noted the block numbers on top:

Profile Draft for Warp Rep Placemats showing threading blocks

The threading of each block and the tie-up is easier to understand if you look at the two views below.  The top one is an interlacement view so you can see the plain weave structure and what is actually going on with the thick and thin wefts.  The bottom warp rep view shows what the actual weaving will look like, the weft is no longer visible covered by the close sett of the warp.  I didn’t include the border that is shown in the handwritten notes in the article because you can create solid colored vertical stripes by simply repeating any block using a solid color instead of alternating light/dark colors as in the rest of the warp.  Here are the two views:

Draft for Warp Rep Placemats showing interlacement and warp rep views

Additional Notes:

I wove a few samples with different setts and yarns before weaving the placemats to help me figure out how many times to repeat each block in the threading and the treadling so they would turn out nice and a good size for a placemat.  I followed the threading exactly the same number of times as indicated in the article with 8 ends in each block.  However, I treadled as if there were only 2 ends in each treadling block, otherwise the pattern would have been too elongated.  I also created a pdf of the thread-by-thread and treadling drafts for the placemats:  Threading & Treadling for Rep Weave Placemats

For the warp I used 20/2 cotton (2 strands together used as one) at a sett of 60 e.p.i., sleyed 4 ends per dent in a 15-dent reed.  For the wefts I used a thick, 4-ply cotton of variegated colors alternating with a thin 20/2 cotton (single, not doubled up as in the warp).  The final measurement of each placemat turned out to be 14 inches x 18 inches after wet finishing – washing by hand and steam ironing while still damp, and hand stitching the hems.  Next time they can go in the washing machine on the gentle cycle.

A word about the shed:  Because of the close sett it can be difficult to get a wide open shed for smooth and fast weaving.  In this project it was good but I still had to help it a little, prying it open wider as the shuttle passed through.  For a neater selvedge, I placed the weft in a rounded, inverted “v” shape and beat it in on the opposite shed.  I read in one article that if you keep the warp tension looser you can lay the weft in straight and the looser warp will do all the bending, but I didn’t try it this way.

There are books and articles with different tips on how to weave rep weave efficiently, my favorite is Joanne Tallarovic’s book, Rep Weave and Beyond.  “Weaver’s” magazine has many articles on rep weave that were written during its publication years from 1988-2000.  My favorites are:

  • “A Designer’s Handbook: Warp Rep,” by Donna Sullivan, Weaver’s #11
  • “‘Ripped’ About Rep,” by Rosalie Neilson, Weaver’s #9
  • “4 Shaft, 4 Block Rep: A Sampler,” by Rosalie Neilson, Weaver’s #9
  • “Warp Rep: 8 Shafts, 8 Blocks,” by Rosalie Neilson, Weaver’s #11
  • “Warp Rep: 16 Shafts, 16 Blocks,” by Rosalie Neilson, Weaver’s #15

Rosalie Neilson’s website has info about her work including the 4-shaft warp rep Sampler.

Rep Weave (Warp Rep) Table Runner (16 shafts)

Among my collection of samples woven by members of the Fine Threads Study Group at Complex Weavers, I found a warp rep sample that was designed by using parallel threading and treadling that inspired me to design a table runner.  I also read in one of Rosalie Neilson’s articles, “Warp Rep: 16 Shafts, 16 Blocks” (Weaver’s #15), how to easily derive tie-ups from 16-shaft twills that can be used in warp rep.  I went ahead and designed many parallel threadings and treadlings, tried them with different tie-ups, chose one I liked, and after a few revisions (ok, many revisions), was ready to weave it.  Using weaving software was really helpful in speeding up this process.  Here is the finished woven piece:

Warp Rep Table Runner, 19″x 35″, pearl cotton, 2011

Below are two drafts for the Table Runner, one is a close-up that shows the colors I used in the warp, the tie-up, and the thick and thin wefts.  The other is a black & white version that shows one full repeat of the threading and treadling.

Weaving Draft for Warp Rep Table Runner (color detail and b&w showing one repeat)

If you are using weaving software and would like the WIF file of the draft, let me know and I’ll be happy to e-mail it to you.

Additional Notes:

I wove a few samples first for this project as well and chose 5/2 pearl cotton for the warp, sett at 40 e.p.i. and a thick, 4-ply cotton of variegated colors for the thick weft and a 20/2 cotton for the thin.  I tried sleying 4 ends per dent in a 10-dent reed but some warp ends didn’t sit where they were supposed to and so the colors didn’t look exactly right.  I resleyed at 2 ends per dent in a 20-dent reed, but this made it more difficult to get a wide open shed.  On the other hand, there was ample space between pairs of ends (e.g., 1,9 and 2,10) that somewhat compensated for this handicap.  I still had to insert a wooden sword in the narrow shed behind the reed, turning it on its side to open the shed wider so the shuttle could easily pass through.  It was slow weaving but it worked.

The only finishing for the Table Runner was twisting the fringes, no wet finishing because I want to use it mostly as a decorative piece.

There are many variations possible in rep weave such as multiple color combinations, a lesser dense warp where the weft plays a bigger role because it’s more visible, and even warp rep and weft rep in the same piece.  I wove a couple of different colorful warp rep runners some time ago that may be of interest, the third and fourth images on my Gallery – 2005 & 2007 page.

UPDATE January 2017:  I revisited warp rep in 2017 and you can find photos, drafts, and notes in my new post that describe how I designed and wove two warp rep runners and a belt .

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